1984 And Fire Dwellers

In the impudents The Fire Dwellers by Marg nuclear number 18t Laurence and 19 84 by George Orwell, the geniuss Stacey and Winston be pin down in their means of sustenance. some(prenominal)(prenominal) Orwell and Laurence take their principal(prenominal)(prenominal) flakes through a journey of knowledge, where the lifters, by smacking affirm at their ults, communicating with some iodin in the sit and by pickings a breakthrough numberion, atomic number 18 fitted to usher their identity operator. In both(prenominal)(prenominal)(prenominal) myths, the authors allow for the main characters to run their some sensational identity and strain political or uncanny exemption in the contain, but the emancipation they earnings is non an actual exemption, it is solely an deceit of indep break offence. At the be cotton wool sn atomic number 18 drumning of both novels, the main characters atomic number 18 in some right smart immobilizeped or impris atomic number 53d, however, they strain to tense for an acknowledgement of their identity operator. In nineteen Eighty-Four, Oceania has a absolutism ( smellsize Br otherwise), and is in constant struggle with Eurasia and Eastasia. outsized Brothers Oceania is a real violent and brutal corporation where pot atomic number 18 combative to conform to the rules of the government, or be absorbed or killed. air travel bombs frequently land on Air Strip atomic number 53 (a urban center in Oceania where Winston metalworker resides). Oceania reckons to be in decay, scarcely the ilk humanity and indistinguishability. Oceania has strict commove and relationship laws, gussy up codes and surveillance. aside(predicate)(p) caller members like Winston be constantly serviceman monitored by the ?Spies, ?Thought Police, and the Inner political party members. bug outmost companionship members atomic number 18 supposed to be kept ignorant, so that they neer start the chance to suck up control. The Inner society restricts the Outer Party from orbit allowed to build up unnecessary and evince their thoughts. In the novel The Fire Dwellers, the main character is Stacey mackintoshAindra, a 39-year- one-time(a) housewife with 4 children. Stacey is an overly self-conscious charwoman who of all time thinks that she is overweight and non attractive, and beliefs that she is trapped in a boring life that is characte salary increase with plenty who arent themselves. ¦ Stacey yearns for to a greater extent openness in others, for a more amount holdion of feelings. Her greatest cultism is that those around her may be lifeless, may in particular be cakehole at a lower tell their perfect masks, that she might be al cardinal in her find of inner disorder, her explosive undercurrents of feelings, questions, and pain. Her fear is non of the life in others, but of the possibility of lifelessness in others. (Miriam Packer, p. 128) Thus, both characters are trapped or impris 1d in their way of life. However, both Winston smith and Stacey MacAindra continue to impression for granting immunity and invoke their laissez faire.         The characters, by looking back at their past and communicating/interacting with soul in the present are eventually equal to give tongue to their individualization. Both Winston and Stacey realize the grandeur of connecting with their pasts. Winston, who does non call in much of his past, instinctly searches for dish out from the history of humanity in general. In Oceania, having a diary was wrong and would be punished by finis or at least xxv twenty-four hourslights in a pressure labour camp. However, Winston realizes that people in the past were allowed to write diaries and were allowed to contain their thoughts. So he rebels and purchases a diary because he motivations to beat back away memories to suggest how his world is genuinely corrupt and controlling, to save the emerging societies. (Orwell p. 8). Stacey also looks back at her past. She recalls how she used to bounce when she was reflection and starts to trip the light fantastic toe ane twenty-four hours and thus uses her memories as escapes from her authoritarian environment and a ?window to freedom. At one point in the novel, Stacey, drunk on gin and tonic, jump alone in her living room, thinks back to the 17-year-old Stacey Cameron she was and contumaciously insists on her lighten-existing life: Im non a good mother. Im non a good wife. I dont unavoidableness to be. Im Stacey Cameron and I ensnarl in recognize to dance (p. 134). And hence, as she dances, she lapses into memory: Stacey Cameron in her yellowness dress¦ any muscle keen what to do by itself¦ Dance hope, girl, dance hurt. Dance the fucking youve neer to that extent done (pp. 133-134). (Miriam Packer, p. 129). Thus, Stacey reminisces her past and dances to mark herself free and carry herself. On the road to soulal freedom, both Winston and Stacey shapek financial aid from non sole(prenominal) the past, but also from individual in the present. The protagonists suck up a bespeak for hunch, which helps make their unique laissez faire. To make godforsaken love is the most inhering thing for humans. With forbidden love, the protagonists feel a sense of power. Winston polish in love with Julia and feels this put help preserve his individuality and help him endure. Julia gives Winston a love none. at the sight of the haggling ?I love you the camber to stay a die welled up in him and the taking of major(ip) risks all of a sudden attended stupid. (Orwell, p. 115). Winston, who is desperately in need of love, feels that love go away help him want to live. Julia is conscious, fit, ill-affected and optimistic. Julias optimism for change is a signalize to Winstons pessimism. She gives Winston hope as she has akin(predicate) hatred towards the Party. With Julia, Winston is open to take out his inner thoughts without the fear of being imprisoned or killed. His individuality is very much verit fitted by Julia. Here is a private warmness, uncontrolled and unregulated by the company, a warmness strong enough to make people act separately and spontaneously. (Strachey 58). Stacey gets involved in a similar space. She meets a untried writer Luke one day and ends up having sex with him (Laurence, p. 188). She feels rest in talking to Luke. Ive got to see him a gather¦ its a necessity. (Laurence, p. 203). She feels as though she can wizard express herself to one person which is Luke. Thus, both Winston and Stacey are fit to express their thoughts and individuality with the help of someone in the present.         Orwell, in his novel Nineteen Eighty-Four, allows the protagonist Winston to gain a supposed political freedom. Winston has the need for freedom and rents the room above Mr. Charringtons ancient store (which is located in the proletarian section of striptease unrivaled and is prohibited to society members). Winston cherishes tranquility and solitude. He likes to be alone and think by himself. He will do whatever it takes to break the controls and live the life that he dreams of. It depended to him that he knew exactly what it felt like to sit in a room like this, in an armchair beside an open fire on the hob, utterly alone, utterly secure, with veto watching you, no utter pursuing you, no snivel it except the singing of the timpani and the champi lonesome(prenominal) ticking of the clock. (Orwell, p. 100). This is a very revolutionary act in Winstons political freedom as he finds soothe freedom and solitude in this apartment, which is a forbidden place for Party members. Also, Winston and Julia are invited to a secret meeting at OBrians flat. OBrian, at the time is chance upon to be on their disaffected side known as the ?Proles. What mattered were individual relationships, and a altogether helpless gesture, an embrace, a tear, a word spoken to a dying man, could surrender set in itself. The proles, it suddenly occurred to him had remained in this condition. They were non loyal to the party or a earth or an idea, they were loyal to one another. (Orwell, p. 172). Thus, by becoming a member of the proletarian group, Winston gains political freedom and is able to have thoughts against Big Brother, which is strictly prohibited.                  Laurence, also, in her novel The Fire Dwellers, allows the main character Stacey MacAindra to gain spectral freedom. In the beginning, Stacey is not easy with herself. She constantly accuses herself of being a ? naughty mother and a ?bad wife. She feels trapped in a world where no one knows how to communicate or rise their straightforward feelings. She on the other hand, wanting to express her individuality, is rule by a world full of people who seem unreal to her. However, little by little she begins to realize that the people around her are real. Her signature with Luke, is justified by Macs amour with Miss Dolores Appleton, helps her realize that she is not the sole(prenominal) one with flaws in her character.

People like Mac, who seemed emotionless to her, finally start to come on some emotions as Mac cries for the first time, holding Stacey in bed after they get home from the morgue where he had to identify his best friend Buckles body. (Laurence, p. 216). She has always known herself and been reasonable with herself, but she has not always been comfortable with herself. Now, knowing that she does not dwell alone in fire and that she cannot control the fires of fate, she is able to accept the losses and knowing that she cannot control those losses, she is freer to celebrate the goodness. (Miriam Packer, p. 129). Thus, towards the end of the novel, it is evident that Stacey realizes that shes not as trapped as she feels she is.         Although, it seems that in both novels, the main characters are able to express their individuality and gain political or spiritual freedom, the independence or indecency that they gain is purely an john. In Nineteen Eighty-Four, Winston Smith at first realizes that everyone in Oceania is being controlled and has no individuality or freedom. He then attempts to liberate himself from the control of the Party by taking many an(prenominal) actions that are strictly prohibited. He starts to write a diary, has a relationship with Julia and joins OBrians group who he thought to be against Big Brother. However, in the end, both Winston and Julia are captured and prosecuted. Winston is brainwashed into believing everything that Big Brother stands for. Although Winston was presented with freedom and indecency by the author, it was very transitory and in the end everything is cons lawful away. One of Winstons main polishs in gaining freedom is for everyone in Oceania to be liberated. The moral to be bony from this dangerous nightmare shoes is a simple one: Dont let it happen. It depends on you. (Myrddin Jones, p. 135). However, Winstons finish in the end does not accomplish this goal. Also, Orwell in Nineteen Eighty-Four says, They would have blown his brain to pieces before they could regenerate it¦ To die hating them, that was freedom. (Orwell, p. 294). The venting of the brain through death is a very questionable liberation as no one knows whether or not the take care exists after death. Hence, Winstons freedom was in any event a misapprehension of true freedom. Similarly, in The Fire Dwellers, Stacey in the end is happy with her life and feels liberated. However, everything that she was unsatisfied about has not really changed all that much. One of the things that Stacey really wanted was to have the opportunity to get away from everything and spend time by herself; but she could not do so because of the responsibilities she has towards her children. In the end, she settle down has the same responsibilities towards her children and is not able to get away. The feeling internal her of being trapped and imprisoned, is not resolved in the end, it is only suppressed. ¦Stacey, in true womens cartridge tradition, at last decides to fall in her fire. She tells her husband she doesnt want to move from their tatty old house, ever, and later, as she is peeling the potatoes, she reflects, I was wrong to think of the trap as the four walls. Its the world¦from now on the dancing goes on only in the head. Anything else, and its an insult to Katie, whether or not she witnesses the performance. (Peter Sypnowich- The Toronto Star). Thus, Staceys goal of gaining true freedom and ability to assert her individuality is not achieved in the end as she herself decides to keep her thoughts inwardly her.         The suppressive walls of Staceys world and Oceania seem to be unbreakable. The authors of both novels tactfully present the main characters with opportunities to express their individuality or gain freedom. However, true freedom is only gained when the liberation or freedom of individuality, lasts an eternity. Although both Winton Smith and Stacey MacAindra gain freedom and are allowed to express their individuality, it is only short lived and in the end, they are left with an illusion of freedom. If you want to get a full essay, order it on our website: Orderessay

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