DURATION -Always played in 4/4 time. -Tempo is comparatively fast. 1-Drum  close with accents on  snare  fig out. 2-Accents on counts 2 and 4 on the snare and crash cymbal. 3-Bass plays predominantly  swindle quavers.  PITCH 12-The main  straining is sung in   unalike ranges but mostly in a high pitch. -Guitar accompanies with  author chords. 18-Simple chord progression on guitar. -Nice easy f unkept throughout the  stock.  DYNAMICS AND EXP. TECHNIQUES 13-Vocals slightly screaming. (Varies) 4-Intro of the song  invariably starts with one  official document and then the rest of the 19-Crash muted. -Instruments vary from  aloud to soft. 5-Call and response. 6-Drums uses electric  hit the roof bass drop makes a  in reality low bass noise. -Capo use on 2nd fret. 14-Crescendo on snare and ride. (0.04) And (1.12).  TONE COLOUR 15-A really rough rock sound. -Ghost notes on snare. 16-Guitar slides up and down from one note to another. -Guitar uses distortion and sometimes uses  cleared tone.    7-Uses tambourine and Cabassa.20 -Double strokes on snare. 8-Palm muted on guitar as  athletics (varies) (1.45) 9-Cowbell used in beat.

      TEXTURE 10-Singing in harmony (in different pitch) (0.39) and (1.18). 11-Sung in  consent (2.08). 17-Distortion on guitar, prominent bass  note (stands out well) accents on drums, which makes the density thick. -Instruments come in and the song builds up. (Texture)  STRUCTURE -Ostinato guitar riff (repetitive) -Intro, verse, chorus, guitar solo, verse, chorus, drum solo, bridge and outro.                                        If you want to  raise a full essay,  enunciate it on our website: 
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