Piano and Drums is a poem that accurately explores the trying interlacing of merging a traditional culture with a new, moderne civilisation. The author Gabriel Okara, who also doubles as the narrator in the poem, responds to the drums as his tribal heritage and the simplicity of youth, while he sees the indulgent as the foreign customs irrelevant to the dim society, with the complexness of experience. Throughout Piano and Drums, Okaras choice of diction is utilize to try out his reception to the two kinds of euphony. Firstly he seems to link the drums with the reputable tradition of the African past life. In the first stanza, Okara responds to the drums as if they were in battle, perhaps against the unfamiliar settlers; the jungle drums telegraphing indicates an old track of communication, as telegraphing literally means to contain messages, and jungle connotes underbred yet majestic, and something that the narrator is not shocked of. The fact that the drums atomic number 18 telegraphing shows that Okara understands them and is comfortable with their instruction of communication, which contrasts to the wailing piano and tear-furrowed concerto. A piano is seldom exposit as wailing and a Greco-Roman piece of music is not usually tear-furrowed which suggests that the narrator does not appreciate the complexity of the piano as he is unused to it.

This links to the narrators response of the piano articulating the new European ship canal of accompaniment and the drums expressing his home land. This image of the drums is furthered by panther pee-pee to descend up, and leopard snarling about to leap which is energetic and youthful diction. twain the panther and leopard symbolise the part of th! e untouched Africa but the descend and snarling signify that the their world has been changed, and the relationship between nature and bargain has... If you want to get a full essay, order it on our website:
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